Supreme Court spanks the Warhol Foundation in copyright ruling regarding Lynn Goldsmith's Prince photograph as a reference for an original Warhol! by Guy Austin

From NBC News:

WASHINGTON — The Supreme Court on Thursday ruled that silkscreens pop artist Andy Warhol made of rock star Prince infringed on the copyright held by a prominent photographer who captured the original image. In a win for photographer Lynn Goldsmith, the court ruled 7-2 that Warhol’s images did not constitute “fair use” under copyright law, [… This] decision will have [a] considerable impact on various creative industries. The ruling is beneficial to people who own copyrighted content upon which other works are based, and could have a negative impact upon entities that make new works based on existing material.

What was argued here was "Transformative use" which refers to whether a new work of art adds something new, with a further purpose or different character, altering the first with new expression, meaning, or message, in comparison to the original work.

This is often key to determining whether a work is infringing or if it is covered by fair use. The fact that the Supreme Court ruled against the Warhol Foundation in this case suggests that they did not believe Warhol's use of Lynn Goldsmith’s photograph was sufficiently transformative to constitute fair use.

The good news for me is that the implications of such a decision for AI-generated art could potentially be significant enough to protect my work from being used if I so desire. Example: If an AI were to generate art based on copyrighted material, a court might consider whether the AI's work was sufficiently transformative. Given the hypothetical ruling against the Warhol Foundation, it's possible a court could decide that an AI's reproduction of a copyrighted work is not transformative enough, thus constituting copyright infringement.

My plan is to continue to copyright my works and even trademark them. I will be doing a post on how a copyright an entire series of works as well as trademarking. Talk to you soon.

My work will be at Art Market San Francisco on April 20th-23rd I will be there on the 20th and the 21st - please visit me if you can. by Guy Austin

Title: “A Great Wave in an Asian Sea” • 40in x 60in 1/8 • Can size up to 5ft x 10ft with no loss of resolution. It can be reduced for you in size as well. Edition: 1/8 with three artists’ proofs for myself

Title: “Light Upon the Precipice” • 53in x 40in. It can be resized as a special edition for you. Edition: 1/8 with three artists’ proofs for myself.

Title: “Breeze Series: #5e” • 40in x 60in. It can be resized as a special edition for you as large as 200% and can be hung in any direction you think the wind it blowing. Edition: 1/8 with three artists’ proofs for myself.

Here is the press release for the show and new versions of past images too:

Phone: (310) 906-4211

Email: info@bgartdealings.com

Website: https://santamonica.bgartdealings.com/

"Digital Fine Artist GK Austin Remixes Fractal Patterns from Nature Creating Stunning Compositions for Art Market San Francisco" 

bG Gallery will present the striking digital art of GK Austin at Art Market San Francisco, the Bay Area's longest-running art fair. The event will occur from April 20th to 23rd, 2023, at Fort Mason's Festival Pavilion, featuring 85 top galleries worldwide.

SAN FRANCISCO, CA (April 30, 2023) – As Art Market San Francisco returns, bG Gallery is excited to showcase the innovative work of emerging digital artist GK Austin. Renowned for his unique fractal flame artwork, Austin utilizes fractal patterns from nature, skillfully morphing, bending, and twisting them into visually stunning collaged compositions. His impressive 40in x 60in prints boast a resolution equivalent to a 216-megapixel camera capture.

"Nature loves to recycle designs: the spirals of a nautilus shell resemble a galaxy spiraling in space, or water swirling down a drain. Working digitally allows me to manipulate nature's patterns and create new, surprising possibilities. All my images are imagined. None are referenced, copied, or produced by an AI. They are generated through personal serendipity alone.”

GK Austin's groundbreaking process involves using digital media to manipulate and morph naturally occurring fractal patterns, resulting in entirely original and unexpected shapes. He then adds color and tone, creating arresting compositions printed as Diasec Face Mounts to Acrylic Glass. This technique ensures decades of longevity and offers the viewer a more immersive experience. 

Austin's artistic statement emphasizes serendipity and discovery, as he aims to place viewers in a transitory space where emotions, physical sensations, and imaginations are triggered. Drawing inspiration from artists such as Georgia O'Keefe, Mark Rothko, David Hockney, and the Impressionists, GK Austin's work is a unique fusion of traditional artistic sensibilities and digital innovation.

Art Market San Francisco Public Days:

  • Thursday, April 20, 2023: 6pm – 9pm

  • Friday, April 21, 2023: 11am – 7pm

  • Saturday, April 22, 2023: 11am – 7pm

  • Sunday, April 23, 2023: 11 am – 6pm

About GK Austin: GK Austin is a Southern Californian native who developed a love for the water at an early age. His artwork captures the beauty and power of natural elements such as wind, water, and rock. Working primarily with digital media and fractal patterns, Austin has sold his work in Los Angeles, San Francisco, Palm Springs, Palm Beach, and Chelsea, New York. 

About bG Gallery: bG Gallery in Santa Monica, California, is dedicated to discovering and showcasing emerging and established artists who defy traditional artistic boundaries. For additional information or to schedule an interview with GK Austin, please contact Om Bleicher or Song-Hee Son at bG Art Dealings at (310) 906-4211 or info@bgartdealings.com.

Work I showed at the LA Art Show 2023 by Guy Austin

Title: “Breeze #5e” Size: 60in x 30in and can be hung in any direction • Diasec mounting Artist: GK Austin

Title: Super Critical Liquid Series: “Fog Burn-off in an Asian Sea” Size: 30in x 60in • Diasec mounting Artist: GK Austin

Title: Super Critical Liquid Series: “Fog Burn-off in an Asian Sea” — 30in x 60in • Diasec mounting Artist: GK Austin

Title: “Moods of the Bodhi Tree: RED” — 30in x 60in • Diasec mounting Artist: GK Austin

Title: “Moods of the Bodhi Tree: Blue” — 30in x 60in • Diasec mounting Artist: GK Austin

Been a while since I blogged, huh? by Guy Austin

“Light Upon the Precipice!” • 78in x 50in. Medium Fractal Flame collage. (Varied editions will be available.)

A lot has happened since my last blog post. My art has been selling at national art fairs, and the response to my work has been emotionally gratifying. This is why I do fine art. When I had my first solo show at the Pacific Design Center in West Los Angeles, the gallerist asked me what my artist statement was? I replied, "I am not in this for the money. I only want to make people happy." He shrugged but was helpful and showed me several artist statements from some famous artists he represented. It was very educational but did not help. I am not process-oriented, I wish I were, but I am not. I admire artists who make art that way. For instance, Winslow Homer used to draw dozens of sketches and studies until he nailed all he wanted to convey. Then he started the final painting. In my opinion, even his oil studies were finished paintings. Process-wise, I am not that guy.

The best way to describe what I do and how I make my art is a term called: Serendipity. (A brief definition of that word is "to discover by mistake.") I don't start with an idea or ideas like Homer; I start with shapes. I work in a digital format that allows me to take patterns from nature and mix them up to make strange forms. Then, like a child staring up at the clouds in the sky, I imagine them into fundamental or phantasmal compositions that excite me and hopefully others. Then I compose them in an image editing program into what I imagined what they looked like.

On the Artist Statement Page I corrected a typo in my email address. by Guy Austin

I have moderate to severe dyslexia. Many artists do, especially actors. Nonetheless, I corrected some typos on my Artist statement page, which unfortunately included my email address. I will say I am embarrassed and I apologize.

However, if you use the email page to connect with me; I will get the mail to my personal account and it works great.

Here is my latest piece:

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Out of all the infamous paintings there are, Broadway had to choose the Salvador Mundi? by Guy Austin

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"Salvator Mundi! The Musical—tale of world's most expensive painting to be turned into a stage blockbuster!"

The Art Newspaper discovered that Caiola Productions has plans to put on the show about the most expensive painting/forgery of all time. The producers claim it will be a "Hamilton meets Willy Wonka" affair landing in New York sometime in 2022.

I would prefer to see a drama on the backstory of painter/model relationships such as Tamara Lempicka, Lucien Freud, and others, but enough about my problems. BTW, Tamara Lempicka is a better painter than Freud, YMMV

Back on topic:

"… "It will follow the story of how a shredded, scratched wooden panel painting of Jesus purchased for $1,100 in 2005, evolved to become the Leonardo da Vinci masterpiece—lost for over 500 years—titled Salvator Mundi that in 2017 was auctioned at Christie's auction house for over $450m," says a Caiola Productions statement. At the 2005 auction, possibly in Louisiana or Virginia, the work is thought to have sold for less than $10,000. …"

[Link]

Hi-Rez Jean-Michel Basquiat work Up Close in an Online Exhibition! by Guy Austin

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I wouldn’t call any of his works “masterpieces” for the cavemen at Lascaux did it so much better, as do the Los Muertos artists in Mexico, but Jean-Michel’s work does contain a lot of “fresh” neurotic humanity that captures the inner spirit of our day.

Basquiat’s complex oeuvre has established him as one of the most important innovators in modern art, even thirty years after his death,” said Brant in a 2019 statement. “Numerous recent retrospectives have spotlighted his radical approach, illuminating his interdisciplinary contributions to music, poetry, performance, and art and cementing him as one of the most forward-thinking artists of his generation, whose complex engagement with social and political questions makes him more relevant than ever.”

The artist was known for scribbling words and phrases, often deliberately misspelled or crossed out, in his paintings. Numerous examples of this practice appear in the 2019 exhibition.

[LINK]

New work in progress, hope you like it. by Guy Austin

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The size right is now 30in x 20in. I may make this into a series which would include larger sizes as well. I am excited by the reaction, it’s these reactions that keep you going as an artist. One last thing, should I open comments section?

Will add this new piece to the "Super Critical Liquid" gallery tomorrow…or so! — What do you think of it? by Guy Austin

“Untitled” 31in x 22in.

“Untitled” 31in x 22in.

Close up detail.

Close up detail.

I made a breakthrough creatively on this piece.My work is about to get a little bit more sketchy, and emotional.

I want to add something, I am going to “toot my own here,” when I do an ocean piece my goal is to make either inviting or scary. The only nautical painters that stir those same feelings in me are Winslow Homer and J.W.M. Turner. I will be tackling other subjects besides water, I want to do gigantic orchids and I may be experimenting with attaching images to 3d objects.

I finished a couple pieces and some experiments by Guy Austin

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I am proud of the nighttime high tide piece. When I do ocean stuff, I generally aim for two extremes: the ocean as a scary place — the ocean as a rejuvenating open space. A particular comment by David Hockney that he tries to "paint space…" is a thought I have been carrying around with me during this COVID-19 isolation.

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Experimental seascape. Not fine art but a fun illustration. Since this will never end up in an art fair or gallery space, if you would like a print, contact me, and I will make one for you at any size under 40in in length.

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This is an idea I am exploring. It gives me “ASMR” when I look at it:

Autonomous Sensory Meridian Response, sometimes auto sensory meridian response, is a tingling sensation that typically begins on the scalp and moves down the back of the neck and upper spine. A pleasant form of paresthesia, it has been compared with auditory-tactile synesthesia and may overlap with frisson. Wikipedia

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This one I did a long time ago for myself. I shared it on a social network and a painter I really like, Grey James, raved about it so i am sharing it here.

Will post more work later

Follow up: Artist Jeff Koons, Art Dealer Larry Gagosian are being sued by a trustee of New York's Museum of Modern Art and the producer of the 'Matrix film!' by Guy Austin

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Alert: This is a follow-up to a blog post I wrote that you can read here: [Link]

Here we go: Would you sign a contract where the item you are purchasing can be delivered at the arbitrary whim of the artist and only a suggested delivery date? — I would not! — I would feel like I was being offered to "buy the Brooklyn bridge"

The lawyer claims that Koons and the gallery failed to deliver three monumental sculptures even after being paid millions of dollars to buy them. Movie Producer Joel Silver is too. Here is a response from the Larry Gagosian gallery as to why it was totally acceptable not to deliver the Jeff Koons' sculptures on time.

"…A gallery spokesperson tells The Blast, “”Mr. Koons has become a world-renowned artist because he approaches each piece with utmost integrity and attention to detail. He produces large, complex pieces of art that require master craftsmanship and take time to execute. Because of the unusual process used to create his pieces, and his impeccable standards for completion, his contracts for sale specifically state that the delivery dates are only estimates. For more than 30 years Jeff Koons has been creating works of art and to our knowledge, without exception, has never failed to deliver these works and always to the enormous satisfaction of the collector. Progress is being made on the pieces at issue in these litigations, and as always they will be delivered upon completion.…”

[Link]

I did some informal research of this quoted line of thought and this is what I learned: It seems to me that the spokesperson's comment may be questionable. (I originally wrote full of sh*t but I am not a lawyer nor qualified to speak to this point of law so take this an an unprofessional opinion only.)

Doing some legal research, this is what I found:

"...Untimely delivery without a legally viable excuse is a breach of contract (default). Under the American common law of contracts, […] if a party to a contract (the seller) materially breaches that contract without a legally viable excuse, the other party (the buyer) is freed of its obligations to the seller and is entitled to compensation for its damages. Thus, the buyer need not pay for any late-delivered goods and can recover any damages that it has suffered..." 

[Link]

Nonetheless, is Jeff Koons' opinion that the art is not good enough yet for real? Is that a viable excuse? But a bigger question lurks... Did these two high end buyers truly change their minds because "artist" Jeff Koons is officially a "has been?"